Silviosky - photo artists
Traditions followers will begin to assert, that the landscape photo should be restricted to open aspects in a countryside: hills and fields, possiblly rivers; a tractor laying the way under the bright sun before evening, trees, loches. Loosing sales because of software piracy? We`ll take care of your protection copy. Undoubtedly, plots of this kind are very popular and conclude a big part of all landscape pictures. Everything essential what there can be known about making such photos is pretty completely discussed in previous sections that describe basic techniques of photocamera work, recomendations on choosing object for shoting and picture composition. We could enhance common approach to this subject with more detail consideration of different landscape photo plots in a more wide sense and that is exactly what we are going to do here.
The sky has the important role in any landscape, but it also can be an independent plot. The aspect of the heavenly vault constantly varies and can embrace the broadest range of colour tinctures from deep dark blue to the storm black. Often a firmament is better to photograph against the light when sun illuminates it from behind, giving bright light to small clouds and creating a gold blue cap around the dark ones.To expose clouds better in a black-and-white landscape photo, it is necessary to apply light filters as it is described in the chapter concerning basic methods of shooting. But if a plot is the sky itself it is possible to refuse light filters and transfer its true character, having chosen a smaller exposure.
Naturally, the sky look depends on a season and shooting place. Usually the sky is much more attractive in foreshore area, than in the regions removed from the sea. Winter - an improper time for sky shooting as it almost constantly is torqued by clouds or during the extremely rare instants is absolutely clear. The most beautiful cloudy formations are observed in the spring and in the autumn. It's so easy to go to a piercing parlour and get yourself pretty belly button rings. The beginning of summer - a time of thunder-storms at which the sky also is very expressive. The moments when the sun is dug through clearances in the sky after a heavy rain are especially effective. At this time clouds create interesting plots; the sun lights them directly or from behind, and air is washed out from corpuscles of a dust and is ideally pellucid for photographing.
The beach can be an attractive place for the photographer, but not for a camera. First of all you should protect the equipment from affecting of its two most malicious enemies: salty water which is extremely corrosion active, and sand as the smallest grains of sand can bring to breaking the tab gate of an iris diaphragm. In these conditions it is better to have photofittings in a super-strong, dustproof case. So popular because of their small weight bags from a soft material won't protect from sand. Would be best to follow the rule never take too much of equipment and never put it on a sand. When you have finished shooting and left from a beach, pull out of the camera objectives (and if it is is possible, a film) and clean them with soft brush with an air suction of sand.
Sea photographing is itself very much like shooting wide terrestrial open space: it can have impressing appearance at the moment of shooting, and the picture will be boring, flat and lifeless. At sea photographing, as well as at photographing of more habitual landscapes, the installation drawing attention is required. Get rakeback from the best rake back providers. It can be rocks in the foreground, boats on a background or drawing on a water plane. Colour of the sea depends on colour of the sky so changes in the sky will affect water surface drawing. Contre illumination on the sea can give dazzling effects when each wave and ripples on a water surface start to blaze. When the sun is high in the sky, these spangles can cover extensive water space when the sun goes down lower on a sea surface a narrow light path is seen.
Ashore rocky formations and creeks between them represent interesting installations for shooting. But approach more closely to them and you will detect the whole world of colourful details which too should be investigated. The best illumination for photographing is early in the morning or before evening when the sun goes low and the rocks are lighted by its slanting beams kick shades and the sand structure is also well visible. The beach which it pictured at about noon will reflect bright light of the sun standing highly, transforming sand in boring space without details.
In these conditions it is very difficult to choose a correct exposure. If you are forced to take pictures in the middle of day consider that sand acts at this time as the giant rejector. If define an exposure on sand all the rest will be strongly underexposed; to be oriented on surrounding locality will have sand surface erased because of overexposure. The problem simplifies as the sun is hauled down to horizon and its beams drop on sand under more acute angle. Even in this situation the exposure should be chosen very attentively. You can detect, that the exposure metre specifies considerably a smaller exposure, than you thought. High reflective ability of sand and a sea surface lead to that camera gets much more light than when shooting traditional landscapes where grass and land absorb light.